London Based Women Creatives Get Real About Racism In London With Wonderland Magazine

Ronan McKenzie “it’s not really diversity, if you only like your black girls light skinned.”

This past June, I took my first ever trip to London.  I was excited to be there as I’ve heard so much about it from friends and relatives who visit frequently.  I was lucky enough to devote time to stopping women in the streets to do a few “Real Beauty Moment” interviews.  I asked several women about the issue of race and how it affects black people there.  To my surprise more than half of the Londoners I spoke to (there and in Paris where I also went to cover Afropunk) said racism is not much of an issue for them in London. 

They talked about how much of a progressive society it is and how included they feel.  I was a bit taken aback because as a black person from the States, it’s almost shocking to hear that black people are living comfortably in “a white man’s country.”  Also, I honestly couldn’t bring myself to believe everything was okay there, especially considering the few people I spoke to who talked about how racism is indeed a problem there.

Then I came home and a couple of weeks later and Brexit happened. To me and many others, it was a clear sign that there’s an ingrained sense of white superiority there as it exists in many places.  Granted, the police in London aren’t killing black people on a regular basis and the prison industrial system is an “American thing,” but racism is a disease that has the potential to spread and explode no matter how subtle it is.

Munroe Bergdorf “We need to eradicate racism and to get onto a path that identifies racism and for everybody to get on the same page to know what racism is. It doesn’t seem like everyone knows what it is.”
Emma Dabiri “Under capitalism black bodies are merely labour or commodity, how can we ever be free in such a system? I think of Black Panthers like Fred Hampton. ‘We say we’re not going to fight capitalism with black capitalism, but we’re going to fight it with socialism’.”


When I stumbled upon this article that London based Wonderland Magazine did, in which they asked Emma Dabari, a teaching fellow at School of African Studies, to “organize a debate between a few of London’s most independently-minded young creatives,” I was excited to read their points of view.  I was also struck by the raw portraits of these women.  Here are a few highlights:


Emma Dabiri, Fellow, SOAS: What are all of your experiences with Black Lives Matter and the differences between the UK and the US? Capres, you organised the recent London protest [which was meant to be for 30 people, and closer to 3,000 turned up].

Capres Willow, protester, Black Lives Matter: The reason I organised the protest was because I was online and I came across one of the killings. I was like: “This isn’t the first one, this isn’t the last one. It seems like all people are doing is typing about it online.” Okay, that’s great, show your opinion, but we need some real action. So I just organised a protest, not expecting much from it and then 3,000 people turned up. After that I thought: “Okay, now I’ve got responsibilities.” I’m not an activist and I’ve never been to a protest before, but from that I was like: “Alright, what’s next?” Do you go about it in a political way? Do you approach the government and say: “This needs to change”? Then you look at the fact that it’s an institutional problem within the police. I’m not saying a policeman is racist, but the police as an institution is a racist institution…

E: Do you think that police brutality is one of the main issues affecting black British people? We know it’s not to the same extent that it is in the US…

Mischa Notcutt, a stylist who runs the clubnight PDA: That’s because they have guns! That’s the only reason we’re different from America. Brexit proves that we’re not as forward as a country as people think.

E: I’m not in any way trying to suggest that the UK is better than the US, that’s not what I think. But what do you think some of the differences might be between how racism manifests itself here and there? I actually think British people are a lot more sophisticated in the way racism operates. I think there are issues that are specific to the UK, that are maybe harder to unpick.

Ronan McKenzie, fashion photographer: Exactly, it’s more undercover.

M: It’s a lot more insidious here. People are more scared about being called racist.

E: Precisely. In Brazil they had a policy called “The Whitening”. Unlike in England where there was generally a fear of so-called “race mixing”, in Brazil they had this huge African descent population in the late 1800s/early 1900s. It was this actual policy where they thought if they could just dilute the black population enough, through mixing with the white, they could eventually rid Brazil of the “Negro problem”… Obviously the whole forbidding mixing thing didn’t work here, but we’ve said racism is more insidious here. Have you read those articles that say that the African Caribbean group will be the first group to disappear in the UK? It’s regularly reported and the articles always finish in, I think, a quite gleeful tone. I just feel like: “Oh, is that what you want to happen?” I wonder if the more softly integrative, assimilate approach in the UK is maybe a low-key whitening thing.

R: You can see that in fashion, for example, where people will be talking about diversity but they won’t cast any dark-skinned girls. That’s not really diversity, if really you only like your black girls light-skinned.

Mischa: That’s interesting, because when I was younger, me and my sister would aways be like: “But we’re the future! Everyone’s going to be like us eventually!’ The Jamaican side [of my family] always see us as the white cousins, and the white side always sees us as the black cousins. So we always felt in the middle. We always thought: “The more mixed-race people, the better”, because that would give us more things to identify with being mixed race and dual heritage.

R: I think it depends on where you are, as well. I’m from north east London and if you’re mixed race you’re like, the gods. Everybody wanted to be mixed race, everybody wanted to have lighter skin, curly hair and look mixed race, and all the mixed race boys in my area were so sought after.

Munroe Bergdorf, model: It’s almost fetishised.

Capres Willow “Things need to be rebuilt, start from scratch almost. Like nature does, when winter comes it’s destroyed and in the spring it’s reborn again. Even though it’s a horrible idea, it’s also a really nice idea, it’s refreshing for everyone to have that fresh start.”
Mischa Nottcutt “Brexit proves that we’re not as forward thinking a country as we think we are.”


Abi Ishola
Abi Ishola


Abi Ishola is the Founder and Editor-in-Chief of Beyond Classically Beautiful, the acclaimed photo series turned multimedia platform. On any given day, you can find her tucked away in a perfectly lit Brooklyn coffee shop working for several hours. Then she dashes off to pick up her daughter from daycare. Abi is also a TV Producer, a proud FIT Alum, Nigerian-American, and a soul searcher.

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